Like the first Black Sabbath record, Bohren & der Club of Gore's sound is its own universe; the incessant bleakness delivers a twisted bliss not unlike the one Charles Baudelaire expressed in Les Fleur Du Mal. Melodies are sickly sweet and sad, their beauty wrought via spare saxophone melodies, elegiac Rhodes piano, plodding, minimal basslines, and eerie Mellotrons and synths.